Which Rush is your favourite Rush? The hippie-haired energy trio who crafted sci-fi narratives and sophisticated prog-rock instrumentals within the mid-to-late ’70s? The group with supremely awkward ’80s haircuts who paired virtuosity with polished FM-radio choruses?
Both reply is legitimate. However the query continues to be divisive. Many followers solely indulge within the band’s proggiest ’70s materials on 2112 and Hemispheres, swearing off their music after the tracks acquired shorter and the synths acquired extra intense. Others are allergic to the pre-“Tom Sawyer” period, when Neil Peart’s lyrics have been at their nerdiest and Geddy Lee nonetheless shrieked at glass-shattering ranges.
So, let’s settle this as soon as and for all — or, actually, simply add to the infinite debate – by tackling that age-old query: “Which Rush period reigns supreme?”
1) Have been Rush higher within the ’70s or ’80s?
Ryan Reed: That is actually powerful as a result of we’re primarily evaluating two completely different bands with very completely different approaches. Within the ’70s, Rush have been briefly laborious rock earlier than they went full prog, and it took them towards the top of the last decade to search out their footing. (I do know it is blasphemy amongst Rush followers, however A Farewell to Kings and Hemispheres each mop the ground with 2112.) However after they reached their prog pinnacle, they ranked alongside style’s greats like Genesis, Sure, King Crimson and Mild Large. That inventive spark lasted by means of the early ’80s, together with their transition to shorter, hookier songs on Everlasting Waves and Transferring Footage. For those who break down these 4 albums — Kings and Hemispheres vs. Waves and Footage — it is not possible to choose a winner. So it’s important to have a look at what’s left. Backside line: They launched extra high quality albums within the ’80s — even the stuff from Alex Lifeson’s “A Flock of Seagulls haircut” period. Grace Below…
Was Rush Higher within the ’70s or ’80s?: Roundtable